Kim Chernin and Renate Stendhal have co-authored three books in the course of their cross-cultural relationship of twenty-eight years. The authors, who are also relationship experts, continue their pioneering work on women and sex. In their most recent collaboration, Lesbian Marriage: A Love & Sex Forever Kit, they are sharing their own experience as well as that of friends and clients. They are now a married couple. (more…)
Filled with tender moments and a remarkable family, Karelia Stetz-Waters’ YA novel Forgive Me If I’ve Told You This Before (Ooligan Press) is a queer coming of age story set against the political landscape of rural Oregon in 1992. What’s timeless about this novel is the familiar teenage struggle to find love, acceptance, and oneself. The story opens with Triinu and her best friend Isabel dealing with the aftermath of an incident at Christian summer camp, where an older camper has come onto Triinu, who then stabbed him with a pen. From the start, it’s clear that Triinu’s world includes adults who do not have her best interest at heart, like the sinister Principal Pinn, who dismisses death threats and belittles Triinu, leading to a dramatic confrontation by the story’s end. The violent language and sexual harassment Triinu experiences at school are raw and explicit, far from the land of after-school specials and textbook examples of bullying. When escape offers itself by way of cigarette-bumming Pru Ann, Triinu quickly abandons Isabel to hang out with the punks in the smoking yard. Soon after, she adopts a goth look and pretends to care about Pru Ann’s accelerated agenda for them to both lose their virginity.
Antidote to the smokers and the bullies are Triinu’s parents, a pair of loving, Estonian immigrants who recite Auden to one another, creating a household made of literature and poetry. It’s always refreshing in a YA novel to have parent figures who are not the enemy, but are rather nuanced, supportive adults. They serve as a touchstone for Triinu as her high school years unfold.
True to adolescence, although at times hard to keep up with, Triinu’s life is populated by a full cast of characters. After abandoning Isabel for Pru Ann, Pru Ann is sent away after her parents catch her smoking, and gone, too, are the awkward older boys Pru Ann had culled as boyfriend for her and Triinu. There’s Ursula, a girl from church camp that Triinu connects with, immediately drawn to Ursula’s warmth and boldness. There’s Deirdre, the goth senior who heckles Triinu’s worst bully, Pip Weston, enchanting Triinu with her cool disregard for authority. There’s Chloe, the corset-wearing friend Ursula complains about but who proves to be ultimately kind just when Triinu needs an ally. There’s Ava, the British pen pal of Chloe’s who appears one fateful night. Any narrative that spans a few years of high school will seem epic in the heart of the narrator, and Triinu’s story is no different. She fixates upon Ursula, who Triinu quickly falls in love with, then agonizes over when and how to tell her, as Ursula prepares for a year abroad in France. It’s a love that seems to seize Triinu, but in the confusion of first queer crushes, who could blame her?
Parallel to Triinu’s own self-discovery is the growing presence of the Oregon Citizens Alliance, an organization that wants to make it “illegal to be gay.” Part of Ursula’s charm is her supposive interest in the debate, and several scenes revolve around the political unrest and homophobia the organization provokes. Ursula and Triinu smoke pot in a park one day and discuss the ballot measure, while Triinu worries about when to kiss her:
I didn’t want to talk about politics. I wanted Ursula to lie down beside me, take my hand and clasp it to her chest. In my daydreams she said, “Oh, Triinu, I can’t bear to leave you. I’m staying in Oregon. Is that wrong?” In real life, she asked, “Have you heard of Bowers v. Hardwick?”
Of course I hadn’t. I felt small. “No,” I said sullenly.
“Michael Hardwick was this gay guy. He was going down on a guy in his own bedroom. The cops came in and arrested him because gay sex is illegal in georgia.”
“Yes, still! Right now. And the OCA wants to make it illegal in Oregon too.”
It’s heartbreaking to watch a queer teenager try to come out amongst so much hostility and anti-gay rhetoric. While Ursula proves to be more shallow than bold, Triinu befriends Chloe and Aaron, who take her to a gay dance club and introduce her to Ava. There are those aching moments that many readers will identify with—the thrill of seeing other queer people for the first time, as well as the relief of a repaired friendship. Isabel re-enters Triinu’s life, handing her a flyer for her band’s show like an olive branch. There’s a moving scene where Triinu sees Isabel perform, and can recognize how her childhood friend has grown into herself as Triinu does the same. Ursula returns from France, and the fissure between she and Triinu deepens, confused by hurt feelings and poor choices, until Triinu has enough confidence to put Ursula in her place.
Covering four years of high school, the novel takes some time to pick up speed, so that the most rewarding chapters happen around Triinu’s senior year, where the promise of college hangs on the horizon, she stands up for herself in more than one arena, and the Oregon Citizens Alliance’s campaign comes to a head. The novel includes an ambitious mix of politics, first loves, lost friends, family, grief, cultural heritage, and identity. Readers will be rewarded with a thoughtful narrator, whose bravery shines brighter with every page, and a touching portrait of family and true friends, who shower Triinu’s bravery with love.
Forgive Me If I’ve Told You This Before
by Karelia Stetz-Waters
Paperback, 9781932010732, 304 pp.
In her new collection of short stories, New York 1, Tel Aviv 0 (Farrar, Straus and Giroux), Shelly Oria covers a lot of ground. As the title suggests, many of the stories revolve around individuals who are physically and metaphorically torn between the United States and Israel. But the book’s main draw is the Oria’s uncanny ability to create rich, fully realized characters in the span of just a few pages, and to do so in a way that demonstrates her grasp of an impressive range of styles, genres, and structures. (more…)
Welcome to Romeville, NY, hometown to the Order of Christ’s Most Precious Wounds and Cee-Cee Bianco, protagonist of MB Caschetta’s compulsively readable first novel, Miracle Girls. It’s 1973, and teenage girls are going missing in record numbers, and ten-year-old Cee-Cee (named after Saint Cecilia) is having visions of the missing girls. (more…)
Love in the modern age is anything but easy.
In her new short story collection New York 1, Tel Aviv 0, author Shelly Oria deftly explores both the joys and pitfalls of contemporary relationships. (more…)
MB Caschetta: On Her New Novel ‘Miracle Girls,’ Being an Early Member of ACT UP, and Writing as Redemption
MB Caschetta’s new novel Miracle Girls is a book about missing girls, faith and God, and “God’s chosen people,” she says, “who are, of course, the gays.” (more…)
Continuing an artistic renaissance that began with A Thousand Mornings (2012), Mary Oliver’s latest poetry collection, Blue Horses, finds her exploring a new home and rediscovering love. Oliver has long been America’s bestselling poet, and these latest conversational poems show why you can find her work on shelves across the United States. (more…)
Eccentric and precise, The Woman Who Borrowed Memories (NYRB Classics) assembles twenty six stories from Finnish artist and writer Tove Jansson, presenting a mix of unique landscapes, eerie tensions, and an old world perfectly preserved. While Jansson was best known for her tubby Moomin cartoons, her fiction for adults creates a nuanced reality that reflects the pleasure of solitude, the passions of the artist, dark tensions, and the wit of what it means to be human. (more…)
For the past several days, I’ve been reading the world as a pig might, low and loud, in Amy Schutzer’s Spheres of Disturbance. I’ve waited for my breakfast behind the garage door—looking up so hopefully at the handle; I’ve listened, bewildered, at humans exchanging paper for cloth and other paper— Charlotta, the very pregnant pot bellied pig, is one of the characters with other rotating voices, human voices, in Spheres of Disturbance. Her voice lends levity (and a different, sensory gravity) to a book exploring the decisions families and the ailing make about death–how much agency we each have and should have at the end of our lives, who cares for us and at what price. (more…)
In the compelling opening of Deep Merge, we meet Kaesah and Atimki, and events rapidly unfold to find Kaesah cradling her beloved partner as she dies. Both women are from the planet NaQwi. They were living on earth Earth doing clandestine research; however, with Atimki’s passing, Kaesah is conflicted about the action she must take in order to fulfill her duty to her beloved and their home planet. The women were on a mission related to genetics and discover that a second alien race has infiltrated Earth and is manipulating its inhabitants for their own devices. Now Kaesah must find a human capable of performing Deep Merge so she can return home to report the nefarious interference from the Phlurx along with her research results. (more…)