‘State of Defiance: Challenging the Johns Committee’s Assault on Civil Liberties’ by Judith G. Poucher
I approached Judith G. Poucher’s State of Defiance: Challenging the Johns Committee’s Assault on Civil Liberties with a degree of skepticism. It wasn’t long ago that I reviewed Stacy Braukman’s masterful Communists and Perverts Under the Palms (2012), also about the Johns Committee, and I had my doubts that a second book in three years would reveal much more necessary information about the post-McCarthy witch-hunts that the committee launched in Florida. Fortunately, Poucher has found a different approach to the material, emphasizing the contributions of five individuals who, when confronted by the committee, fought back through lawsuits, cleverly combative testimony, and, in the case of gay individuals, refusing to name names. (more…)
‘The Animals: Love Letters Between Christopher Isherwood and Don Bachardy’ by Christopher Isherwood and Don Bachardy; Edited by Katherine Bucknell
Christopher Isherwood died in 1986, his legacy as an author and gay trailblazer assured by works such as A Single Man, The Berlin Stories, and, most recently, the publication of his diaries–a treasure trove of insight into one of the 20th Centuries most fascinating figures. It’s only been in recent years, however, that Isherwood’s love life has drawn public attention on par with his literary achievements. The Animals, a collection of love letters between Isherwood and his surviving partner, the artist Don Bachardy, aims to correct that imbalance. (more…)
‘Manning Up: Transsexual Men on Finding Brotherhood, Family & Themselves’ edited by Zander Keig and Mitch Kellaway
Manning Up: Transsexual Men on Finding Brotherhood, Family & Themselves is an anthology of personal narratives by trans men in North America, spanning an array of perspectives, ethnicities, classes and ages. This anthology provides a space for trans men to share their experience of childhood, coming out, transitioning, relationships, family and what masculinity means to them. (more…)
What we see on the horde of screens that comprise and dictate the majority of our daily actions are vital in composing not only our personal narrative but also society’s at large. The importance of one of those screens, the television, has been such a longtime player in the representations of different societal, cultural, and sexual norms that it has oftentimes been the subjects of critique, ridicule, and praise. One of those critiques, Ethereal Queer: Television, Historicity, Desire by Professor Amy Villarejo at Cornell University probes into how representations of queer life have changed since the evolution of the TV in the 1950s and provides a bold new way for queer people to understand themselves through the programs they watch on TV and the world and cultural niches they occupy. (more…)
In this book, John D’Emilio takes us on a friendly, companionable walk through his career and his wide-ranging thought. As an amelioration of varied interests, the collection is a refreshing overview of this storied academic’s professional career infused with a vigorous analysis of people and events as he considers multi-dimensional changes in the LGBT community since 1960 and how these have impacted the United States.
Sometimes you open a book that feels like sitting down to catch up with an old friend. That was my experience as I began to read Ivan E. Coyote and Rae Spoon’s co-written book Gender Failure (Arsenal Pulp Press). The book is an adaptation of the duo’s successfully-toured performance, interspersed with Clyde Petersen’s art which was also initially projected during their live show. In the show, the duo alternate telling stories exploring their unique take on life outside the gender binary, and the failings of trying to think of gender simply as a simplistic polarized “male” and “female.” (more…)
“The domestic made lethal—that’s the legend.”
We live in a society entrenched in matters of the body. Sexualization, fetishization, policing, ableism, movement, tangibility, and the body politic, our corporality is absolutely everywhere. Despite the fact that bodies are subject to intensive scrutiny, the historical origin of how bodies have been perceived throughout time (everything from feet to slouching to undergarments) remains mysteriously out of the realm of everyday knowledge. How is it, for example, that foot shape determined class and stature, traditionally? How has the body been commodified in times of martial economies (i.e., dowry economy)? (more…)
In the latest contribution to Arsenal Pulp Press’s “Queer Film Classics” series, Lucas Hilderbrand sets his sights on that legacy object, the fabulous and enduring cultural phenomenon that is Paris Is Burning. One of the most successful documentaries ever made, the 1991 film follows Harlem Drag legends like Pepper LaBeija, Dorian Corey, Willi Ninja and newcomers like Octavia Saint Laurent and Venus Xtravaganza as they compete in Harlem drag balls, dream of fame and struggle as queer people of color in the bustle of pre-Giuliani New York City. Hilderbrand, whose scholarship includes articles on Todd Haynes’ Barbie bootleg, Superstar: The Karen Carpenter Story, and an analysis of “The Art of Distribution: Video on Demand,” embraces the rich cultural text with signature breadth and an impassioned personal narrative. (more…)
No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.
-Margaret Atwood, “The Moment”
Borges says, in his literary theory, that there are more or less six themes that authors write about, six stories they tell, though the narratives may vary. All have to do with the human condition: how we love, how we live, how we make a life for ourselves, how we interact with the physical/metaphysical/spiritual, our literal and figurative place in the world. Following this metric, Catherine Reid’s newest collection of nature-centric essays, Falling into Place: An Intimate Geography of Home, is the perfect example of how the personal becomes global through familiar tropes. Utilizing her relationship to her home in the Berkshires as well as the deeply-crafted life with her partner, Reid juxtaposes her identity as a native New Englander with her otherness as a lesbian woman to create lyric tension that sustains the ambivalence of the narrative. (more…)
Erasure is a central concern when it comes to representations of AIDS—be it in the face of hegemonic narratives, or absence. Historian Martin Duberman addresses this in his new book, Hold Tight Gently: Michael Callen, Essex Hemphill and the Battlefield of AIDS (The New Press, 2014). A dual biography, the book profiles Michael Callen and Essex Hemphill, both gifted, successful, HIV+ gay men who came of age in the Reagan years and with the onset of AIDS in America. The primary difference between the two being Hemphill was black and Callen was white, a fact that did not save either from needlessly early deaths, but one that does impact how they lived and how they are remembered. (more…)